And The Stones Remain is a series
of paintings begun in the fall of 2001.
This body of work is a direct continuation and outgrowth
of my most recent series, In the Skin of the Earth,
begun in 1999. In In the Skin of the Earth the
sunwashed, monumental presence of stone vessels/ urns dominated
the picture plane.
With And the Stones Remain my preoccupation with
stone objects continues. These stone objects, are grinding
stones or mill stones fashioned by many of the world’s
people. Long after the cultures have disappeared or changed
these stones remain, leaving their ambiguous shapes to tell
us their stories.
My method of painting is intimately related to erosion and
excavation. The paintings are mixed media (primarily acrylic
) on birch, the technique one of layering and glazing then
sanding and scraping to reveal the pigments and texture
trapped beneath the surface. The impact of light and the
effect of chiaroscuro in revealing these objects is a dominant
factor in the paintings.
Vestiges of Stone is a small suite of drypoint
prints, that is directly related to the two series of paintings
mentioned above. The images are produced through burnishing
and incising a heavily ground copper plate.
The methods of removal through sanding, scraping and burnishing
in both paint and print are integral to the development
of these images that glow from within yet are only partially
revealed to the viewer.
~Karen Curry, 2003
But a lifetime burning in every moment
And not the lifetime of one man only
But of old stones that cannot be deciphered
T.S. Eliot
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